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SONS
OF FIRE was Adam Kriney, Ed Chang, and Motoko Shimizu.
LUST IONICS was Adam
Kriney, Ed Chang, and Motoko Shimizu.
RUST IONICS is Adam Kriney, Ed Chang, and Doug Theriault.
Here's what everyone
does:
Adam Kriney: drums, percussion
Ed Chang: alto sax, electric guitar, homemade instruments
Motoko Shimizu: voice, toys, percussion, electric guitar
Doug Thierault: electric guitar
guest members have included:
Matt Morandi
Ninni Morgia
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SONS OF FIRE "Saung" CD-R (CSR 011)
LUST IONICS "Live Singles In Providence" 3" CD-R (CSR 013)
"804noise Fest 2005 Artists Compilation", LUST IONICS contributed
the track "Going Down On Sunny Murray" (804noise, no catalog
number)

"Quodlibet Recordings 2005 Sampler Compilation", LUST IONICS
contributed the track "Untitled" (no catalog number)

"Here We All Are Sitting In A Rainbow", a Colour Sounds Recordings
sampler CD, the LUST IONICS track "The Audience Has Left The Building"
and the SONS OF FIRE track "Saung (edit)" are both on this release.
(CSR017)

*RUST IONICS "Moving/Pictures" LP (CSR 018/QUODLP01/Outer Limits
005))
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Review
from www.Crashinin.com, July, 2005,
by Lio
SONS OF FIRE "Saung" CD
I know a ton of you hipsters out there bought the new Boredoms album.
If you did, then you should also check out Sons of Fire. You'll lose yourself
in its experimental freak-out music. Ed Chang, Adam Kriney, and Motoko
Shimizu are having so much fun making new sounds that they even incorporate
some toy sounds into the mix. *Warning, do not take drugs while listening
to this album. You may enough yourself too much. You can also hear these
guys playing with Blindfold, Dual, Spin 17, La Otracina, Owl Sounds, and
The Beets.
Review
from Volcanic Tongue, July 2005, by David Keenan
SONS OF FIRE "Saung" CD
Hour long free rock/jazz jam from this great ESP Disk-styled private press
label based in NY and run by percussionist Adam Kriney. Sons Of Fire feature
Kriney on drums and percussion, Ed Chang (member of Blindfold alongside
various NNCK players) on alto saxophone and electric guitar and Motoko
Shimizu (collaborator with Sabir Mateen, Daniel Carter, Matt Heyner et
al) on vocals, toys, percussion and electric guitar. Mixes the sonic quackery
of Mats Gustafsson’s Gush with moments of (Don) Ayler-esque signal
calls and the loose lucidity of NNCK satellites like IZITITIZ and Enos
Slaughter. Great uniform label feel to Colour Sounds Recordings that’s
guaranteed to make you covet the set, with sleeves and inserts printed
on textured card and releases limited to 20 copies. In years to come you’ll
poke yourself for missing them.
Review from Volcanic Tongue, September 2005, by
David Keenan
LUST IONICS - "Live Singles In Providence"
3" CD
Live Singles In Providence aka Bloody-Fucking-Gore-Improv-No-Wave-Skronk-Meltdown
presents a limited to 49 copies 3” of ecstatic-free-metal blowouts
from these liberated-to-the-point-of-psychosis New York heads, featuring
drummer Adam Kriney of Owl Sounds et al, Ed Chang on homemade reed instruments,
‘demonized’ alto sax, toolbox percussion and ferocious noise
guitar and Motoko Shimzu on post-Patty Waters/Junko styled high/death
vocals. 9 short blasts of primitive Hijokaidan/Abe-Takayanagi attack strategies
played by punks that don’t know any better. This is as crude as
all hell. Packaged in over-sized colour paper wallet.
Review from Crucial Blast, November
2006, by Adam Wright-Carmean
RUST IONICS "Moving/Pictures"
12" LP
Following a stream of craftily packaged CD-R releases from his
various other free/psych/improv projects (La Otracina, Owl Sounds Exploding
Galaxy, Blizzards, etc), Colour Sounds operator and freak-out drummer
extraordinaire Adam Kriney opts to get LOUD with this killer LP from the
free-improv/grind/jazz brut ensemble that has Kriney pillaging his drumkit
alongside Dual members Ed Chang (alto sax) and Doug Theriault (guitars).
Totally blinding power-improv workouts with Chang's extended sax eruptions
spitting out a volley of white-hot squeaks and squeals like machine sparks
over a din of crashing, blastbeating drumming and textured guitar noise.
The trio frequent puts on the brakes and wraps themselves around some
mesmerizing free-jazz, but most of Moving/Pictures is intense, insane
primal skronk conjured from the same fires that birthed the likes of Last
Exit, Painkiller, Ruins, Borbetomagus, and Peter Brotzmann's heavier material,
and meant to be played LOUD. Presented on transparent blue vinyl in a
clear plastic sleeve with a plastic sticker inscribed with the band logo
and minimal album credits, in a limited edition of 311 copies.
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